Inaugural Certifiable Exhibit at the GoCM: Gallery of Contemporary Mosaics

April 24, 2016

Inaugural Certifiable Exhibit at the GoCM: Gallery of Contemporary Mosaics

OpeninGoCMBy Patricia (Pat) King

As one of the most well-and-truly-certifiable of the Certificate students at the Chicago Mosaic School, I was naturally asked to post a blog entry on the inaugural Certifiable exhibit at the GoCM: Gallery of Contemporary Mosaics. So here goes.

The opening on April 15th, 2016, was wonderful. The Gallery shone with the light of more than 20 mosaics each exuding its own special emotional vibe. I was very impressed, as were many in attendance, by the breadth of style and the beauty of the pieces. I was both humbled and inspired by the combined talent of my fellow Certificate students and very happy to be a part of this great program. I also met other students, a real plus of attending the opening.

Though many of the pieces were small in size, they were big in emotional impact from the whimsical to the serene. [Note that, by order of my superiors at the CMS, I cannot include pictures of everyone’s piece(s) or I would. They are all great and it has been a challenge deciding on which few to include here. On the bright side, this will force you to go see the exhibit yourselves – and you really must!]

Wasentha Young

Wasentha Young

So, back to where I was, a few that come to mind are Wasentha Young’s “Half Awake,” a piece that makes me smile just to think about it. It is whimsical, sweet and well done. Its small size, about 6” square, also adds to the tenderness of this piece.

Another work on display is Dean Madsen’s piece entitled “Yellow River Serenade” that exudes serenity, one of two works he has on exhibit. Its largely monochromatic warm color scheme and flowing lines lend it to quiet contemplation. His use of a rectangular base wider than it is tall also promotes its peaceful quality.

Etty Hasak’s piece entitled “The Brown Line” has got to be a favorite of all students at the Chicago Mosaic School as it depicts that train famously passing by the workshop windows daily and at great frequency (not to mention volume). She captures its motion and speed well with the slate moving off to the left and horizontal lines of movement. It was a pleasure witnessing its creation during our Texture Workshop together. She also has two more wonderful pieces on exhibit.Etty Hasak

 

David Chidgey

David Chidgey

Lastly, and only because I cannot list them all, is a piece that further exemplifies the breadth of styles represented in the exhibit. It is a piece entitled “Gazelle” by David Chidgey and is one of three pieces he has on exhibit. You can really see the graceful leap of the gazelle when you look at this piece. It was done by David during Toyoharu Kii’s Monochromatic workshop and is a LOT better than the one I did, that is for sure.

Hopefully these few examples of works on display give you a glimpse into the treasures in this exhibit and inspire you to go see them for yourselves. I, myself, will be back before the exhibit closes on June 24th and look forward to a second chance to see them in person.

In closing, I entitled this piece the “inaugural” Certifiable exhibit because my vote is for there to be one annually because the students in the Certificate Program of the Chicago Mosaic School currently rock and will only continue to produce more and better mosaics as they progress in their programs. Well done all participants and thanks to the Chicago Mosaic School and its wonderful folks for putting on this show! Were it not for your excellent instruction, none of this would be possible.

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